![]() ![]() Although it wasn’t one of the big five Disney movies, it’s still considered a high watermark among Disney aficionados because of the character, the emotion and the music. The 1967 film had a dreamlike, surreal quality to it and it was a high watermark for character animation.But they knew that a film like this has to honor the emotional and perceived memory of people who grew up with the film, while also making a movie that appeals to the full audience. Walt Disney Studios chairman Alan Horn had grown up with the books while Favreau had grown up with the movie, and they both connected to it in a slightly different way. Jon Favreau didn’t go into Disney asking to remake The Jungle Book.We’ve compiled a list of 20 things that you should know about The Jungle Book. To explain the process of making the film, Jon Favreau was joined by visual effects supervisor Rob Legato to talk about honoring the soul of the animated feature while also making a movie that appeals to everyone, using technology to create a world that transports audiences, when CG can work to your advantage, the difficulty of marrying live-action with animation, the casting process for Mowgli, shooting native 3D, and the role music will play. OL15400121W Page_number_confidence 92.42 Pages 134 Ppi 300 Republisher_date 20191128193440 Republisher_operator Republisher_time 331 Scandate 20191126124843 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780439574242 Tts_version 3.Back on January 13 th, Collider (along with a number of other outlets) was invited to the El Capitan in Hollywood to preview some scenes that showcase the stunning scenery, inhabited with photo-real talking animals and a young boy named Mowgli. Selections Boxid IA1707909 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier Access-restricted-item true Addeddate 06:24:55 Associated-names Hines-Stephens, Sarah Kipling, Rudyard, 1865-1936. ![]()
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